"In Farben gezeichnet". Orchestration and Form in Early Nineteenth-Century Symphonies and Overtures between Germany and Italyby Dr. Federica Di Gasbarro
Conceptual history of music. Basic concepts of vocal music in terminological discourse by Dr. Sabine Ehrmann-Herfort
Myths and Monuments of the Nation: 'Early Music' in Italy between Unità and Fascismoby Dr. Carolin Krahn
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