Monograph

Figura – Armonia – Forma. Amériques di Edgard Varèse. Un’analisi funzionale, Basel 2017, Edoc Dissertation Online, DOI: 10.5451/unibas-006737755, URL: http://edoc.unibas.ch/diss/DissB_12292.

Editorship

(Ed.), Orchestration und Form in der Symphonik des frühen 19. Jahrhunderts, Lilienthal: Laaber = Musiktheorie. Zeitschrift für Musikwissenschaft 37,4 (2022).

(Ed.), Le vie del comporre, domani. Atti del Convegno Giuseppe Sinopoli Festival, Palazzo dei Congressi di Taormina, 22–25 ottobre 2008, Taormina: Taormina Arte 2009.

Articles, Book Chapters (Peer Review)

Sketching a New Verticality. Varèse's Atonal Sound and its Contexts – Schoenberg, Webern and Ruggles, in: Contemporary Music Review 38,3–4 (2019), pp. 271–315, URL: https://www.tandfonline.com/doi/full/10.1080/07494467.2019.1596635?tab=permissions&scroll=top.

Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero, in: Archival Notes. Sources and Research from the Institute of Music 3 (2018), pp. 23–45, URL: http://onlinepublishing.cini.it/index.php/arno/article/view/94.

Articles, Book Chapters

Wer übernimmt hier das Horn?! Klangfarbenbehandlung in der Praxis des Salonorchesters,
in: Mathias Gredig/Matthias Schmidt/Cordula Seger (Eds.), Salonorchester der Alpen, Zürich: Chronos Verlag 2023 (in preparation).

Edgard Varèse, in: Hans-Werner Heister/Walter-Wolfgang Sparrer (Eds.), Komponisten der Gegenwart (KDG), München: edition text + kritik (in preparation).

Implied Orchestration and its Structural Role in Beethoven's Sketches. A Case Study from the Eight Symphony, in: Federica Di Gasbarro (Ed.), Orchestration und Form in der Symphonik des frühen 19. Jahrhunderts, Lilienthal: Laaber = Musiktheorie. Zeitschrift für Musikwissenschaft 37,4 (2022), pp. 305–318.

The Spaced Chromatic Circle. Varèse's Open Harmonic System in a Nutshell, in: Mitteilungen der Paul Sacher Stiftung 31 (2018), pp. 24–32, URL: http://www.paul-sacher-stiftung.ch/de/forschung-publikationen/publikationen/mitteilungen/nr-31-april-2018.html.

"Berlin 1909–1910". Von Schönberg zu Varèse … und zurück. Fragmente zu einer transatlantischen Geschichte der 'atonalen Moderne', in: Journal of the Arnold Schönberg Center 15 (2018), ed. by Eike Feß/Therese Muxeneder, pp. 103–133.
               
"I'll fix up that old dodo (vieux rossignol)". Edgard Varèses Amériques zwischen Kompositions-, Editions- und Aufführungsgeschichte, in: Simon Obert/Heidy Zimmermann (Eds.), Re-Set. Rückgriffe und Fortschreibungen in der Musik seit 1900, Mainz: Schott 2018, pp. 111–122.

Angela Ida De Benedictis/Federica Di Gasbarro, Le Orchestre Sinfoniche della Radio Italiana e la Nuova Musica. Cronistoria di un viaggio oltre le "modeste conoscenze di una abusata tradizione", in: Andrea Malvano (Ed.), La politica sinfonica della Rai. Storia delle orchestre radio-televisive italiane, Alessandria: Dell’Orso 2016, pp. 51–90.

C’è Musica e Musica, o dell'arte di parlare di musica in televisione, in: Nuova Rivista Musicale Italiana 16,1 (2012), pp. 73–110.

La Musica del Novecento su Radio3, in: Nuova Rivista Musicale Italiana 13,1 (2009), pp. 109–121.

Further Contributions

Electroacoustic Performance Practice Database, Institute for Computer Music and Sound Technology, Zurich University of the Arts (since 2016), URL: http://ppeam.zhdk.ch.

C'è musica & musica. Trascrizioni delle singole puntate, in: Angela Ida De Benedictis (Ed.), Luciano Berio, "C’è musica & musica". Una polifonia di suoni e immagini, Milano: Feltrinelli 2013, pp. 31–141.